Wyatt Cain (
hasaheart) wrote in
taxonomites2013-07-30 09:08 am
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No More Songs [visual |backdated to the morning after Glitch's post]
In the movies, or in Other-Side movies that is, the best friend always seems to know if or when something is wrong. Wyatt and Glitch have been friends for years, the best of friends and more: brothers (in-arms and otherwise), partners-in-crime, confidantes, fellow Ozites swimming in a sea of faceless drones and Other-Siders. They were bound to the same fate by oath and duty and magic, and even after their quest was ended their friendship lived on. It wasn't easy. It wasn't perfect - but what would life or friendship be if not for the bumps in the road.
In Taxon, in what poses as real life to those trapped, Wyatt goes about his day like any other day in blissful ignorance of his friend going into the wind.
It isn't until the next morning, when as part of hardly-ever-failing routine Wyatt checks through the list of names on his tablet...and finds one missing.
He stares for a moment; the cogs of his brain halt and squeak and attempt a reversal. No, that can't be, can't have read that right--
By his third painstaking scrutiny of the list of names and residences and shops, Wyatt can't breathe. His kitchen goes from a bright safe haven to a black hole and the walls are closing in and he. Can't. Breathe.
~*~
The face that appears on the tablet is white as a sheet and drawn with tension. Look any closer and you might see that jaw snap clean off his face. It's a moment before he speaks, because like so many times before he doesn't know where to start. He's been over all the rational explanations. He's even gone to Langwe and Gale's. He went to Glitch's shotgun house.
Now he's back, and there's no escaping the fact his world is crumbling. The walls are coming down and his back isn't strong enough to push back.
His lips fold inward. He swallows. "Glitch is gone. I don't know what else to say. I don't know."
In Taxon, in what poses as real life to those trapped, Wyatt goes about his day like any other day in blissful ignorance of his friend going into the wind.
It isn't until the next morning, when as part of hardly-ever-failing routine Wyatt checks through the list of names on his tablet...and finds one missing.
He stares for a moment; the cogs of his brain halt and squeak and attempt a reversal. No, that can't be, can't have read that right--
By his third painstaking scrutiny of the list of names and residences and shops, Wyatt can't breathe. His kitchen goes from a bright safe haven to a black hole and the walls are closing in and he. Can't. Breathe.
~*~
The face that appears on the tablet is white as a sheet and drawn with tension. Look any closer and you might see that jaw snap clean off his face. It's a moment before he speaks, because like so many times before he doesn't know where to start. He's been over all the rational explanations. He's even gone to Langwe and Gale's. He went to Glitch's shotgun house.
Now he's back, and there's no escaping the fact his world is crumbling. The walls are coming down and his back isn't strong enough to push back.
His lips fold inward. He swallows. "Glitch is gone. I don't know what else to say. I don't know."
[location]
Paul noticed before Wyatt, technically: noticed just after his morning jog, and had been on his way over because he would prefer to break the news face to face. But Wyatt's broadcast is clue enough that it's too late for that: Wyatt learned it from the crueler communicator of the tablet.
So Paul just rubs at his face and double-times it the rest of the way to Wyatt's location.
He gets to Wyatt's place; he knocks on the door, rat-tat tat-a-tat.
"Wyatt?"
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But then there's a knock on his door, and it's a balm to his senses. He doesn't have to choose where to go next when someone else made the choice for him.
He opens the door, and he doesn't know what to say, so he reaches for Paul's hand instead. He's all out of words. He still can't breathe.
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"--okay. Hey." Hand meets hand, Paul gives Wyatt's fingers a small squeeze and then a slight, gentle tug to step forward.
Come here. Out of the house. No time for four walls around you, cowboy.
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I didn't--
He shuffles out the door, holding on to the one point in the multiverse that makes any sense. Paul's hand is warm and calloused and soft and possessing of a strength that Wyatt doesn't have but feels he should.
He's a grown man. He's dealt with loss before. It's part of life.
So he follows Paul a few steps into the clear air and the bright skies, but it isn't long before he's reaching again. Needs to be close, there, right there in his arms, no doubt about it - and there's nothing to stop him from enveloping Paul in his arms. Best of friends, lovers, partners...
"--I'm so glad you're here."
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Glitch is (was) better at the huggy shit, always was. He remembers watching their easy contact with each other (and over-analyzing the hell out of it, as he tends to), but if Glitch isn't here to be a hugger-and-huggee, well, Paul Smecker will suck it up and be a big gooshy pillow.
Okay, he's not really big and he's not really gooshy, but Wyatt doesn't appear to be fucking complaining so who cares.
He rests his hands on Wyatt's lower back, patting there as if Wyatt were maybe a dog or something, and talks quietly.
"Breathe in and out, you'll be fine. And if you hyperventilate and pass out I'm not carrying you, so do us both a favor and stay on your feet, focus on my voice, keep breathing."
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Someone strong and steady like a pillar. Someone good.
He tries breathing. And when that doesn't really work he tries a breathy grin instead. "Did that already. Don' want a revisit."
Is this how his life is going to be? Two steps forward, five steps back?
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Paul keeps his voice level and steady. (He flashes back to memories of talking down psych patients, shoves them away again.)
"You want to walk for a bit? Or not just yet?"
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It seems she's brought pie. More than one pie, actually. Truly, she doesn't at all know if any of these are going to be any good but she has to try and it seems fitting to bring baked good for some reason.
Carefully, she knocks on the door.
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Most of all, he's just tired.
"Hey," he says. It seems a good start.
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He's a good man, but even good men have bad days.
Instead he attempts a small smile, and opens the door a bit wider. "There's coffee if you want. We won't know unless we try them."
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After she enters and puts the pies down, she turns to look at him, "I'm sorry, Cain."
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But that's a stray thought brought on by another memory. It was good, showing Madelyne the ropes.
"Yeah," he says. What else can he say, really? "Me too. I know you were good friends with him."
SORRY! I thought I replied to this!
no worries~
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[text]
And Cain's the steadfast tin soldier, stoic and true and all that stuff. He'd been there for her when she'd reached her wits end, she has to try and give something back.
i'm sorry
...lame, Swan, give it another go.
i do better w/giving boots to the ass than comfort, but if theres anything i can do let me know.
Well, there is one thing she knows she can do.
bar will be open or i can bring it 2 you.
[text]
Thanks. I need to get out more. See you there.
[text / location]
When she opens the pub she has the music at a lower volume than usual and tuned to a classic rock channel. If anyone decides to use the jukebox that will get overridden, but meanwhile there's a little subdued soundtrack going on. It can't be all drear though, so Emma turns the disco ball over the stage on to its slowest setting before taking her post behind the bar.
[location]
He takes off his hat and takes a seat by the bar, looking around. Almost as an aside, he tells Emma, "I haven't been here since karaoke night. Must be two years ago."
Both eyebrows hike up in rueful, dry amusement. "So you see I do need to get out more."
[location]
Emma is not thinking too hard on the two years part, she gets a little vertigo when she considers how long some people have been here. Though now her own timeline's a little murky: does she count the few months she picked up from home? Does it matter?
She pulls herself back and twitches a smile. "Stating with drinks. Or food. What would you like?"
[location]
"I didn't actually sing. But it was...a step in the right direction."
As for food or drink - he makes a vague gesture with his hand. "Just orange juice, please. Thank you."
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But decency is decency, and so, a day our two later, a basket of foodstuffs is set on Cain's doorstep. This time, she rings the bell, then steps back, fully prepared to just leave it; her encounters with Jason and Nuada have been enough to teach her that this is best done to comfit herself, not other people.
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It is not every day you see what you assume to be a stiff-as-a-board, cop-like person poke out of an open window, shirt sleeves rolled up and a floral-patterned dish towel in hand.
"Oh, Metody, hi! Let me unlock that for you. Come in." He gestures with the one hand before disappearing the short distance to the front door.
Maybe he isn't back to his usual self just yet, but in his own expert opinion, he's at least better equipped to handle guests. "Hi." A beat. "Again. I said that already, didn't I. Sorry. Do come in."
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She offers him the basket when he opens the door, looking awkward. Okay. Maybe she needs to send around a fact sheet about care baskets? "Um. I just came by to drop this off. Are you okay?"
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But it's perfect. And so is the basket full of good things, which fits easily under his arm.
"Thanks, kiddo. I'm good." Oh, okay so that's a blatant damn lie. "...better."
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Thank goodness, there are words to speak when this happens. Manners are wonderful, giving you a form to follow. "If there is any way I can help, please let me know."
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"Thanks. That's very good of you to offer. You sure you don't want to come in? You've come all this way just to drop this off?"
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