It is true that the Arrival room has seen many a variation on the theme of first impressions and abduction. It is also true that, while some are more polite than others, or more eloquent, it is a rarer sight to see such calm, seeming indifference. There stands a tall man in the Arrival Room, silent and unmoving like a lone tree atop a hill. In the stark lights of the apparatus mounted to the ceiling, his long hair falls like a stark white curtain fading into vivid yellow: it is a gossamer veil, he the monster
done up in fancy robes. Its eyes are a vivid yellow, though this might take a closer look for how dark the skin around them is. Otherwise it is of a pale complexion, nearly waxen, and adorned in what appears to be deliberate scarring. One such scar curves from one high cheekbone to the next, undulating across the bridge of nose. More scars run in vertical slashes down his forehead, though whether those are of ritual origin or war is less apparent. The circular markings on each side of his forehead strike a different chord: like ripples on still water, and partially hidden by his hairline. His robes are formal, sumptuous and striking: dark, slick fabrics meeting subtle details (is it armour or simply militaristic, of a stereotypically Western origin, or perhaps Asian? Is that an obi adorned with a metal emblem? A hakama?), offset by a dark metallic seal at the front of his broad belt. There are no weapons - at least no visible ones - but one might just get the impression not to get in his way. Don't wake the sleeping bear, as they say. Don't provoke a wounded beast.
But, no. His posture belongs to something other than a beast. He is royalty. He is sprung from the Father Tree, bearing the royal scars of his clan. Royal marks, not sprung from ritual or fashion.
He who walks a different path shall find himself in strange lands. It was simply a matter of time before he stumbled into the unknown. Having just sent the last of the forest gods to its demise, it seems only fair he too should be sent somewhere without consent. An eye for an eye, one sole surviving warrior for another.
Ever shadowed, yellow eyes look out, assessing its surroundings like a cat in unfamiliar territory. The head, with its vaguely High German features, tilts this way and that way. Dark lips part, revealing teeth that seem too sharp to belong to such a face (or perhaps not sharp enough). The pointed tips of his ears lift (perhaps difficult to spot, with so little contrast between skin and hair), and he walks through the open door.
He calls out to a small group of meandering non-humans (Extras of a brand new variety, as it just so happens). He barely raises his voice, in near perfect, if somewhat dated Gaelic. And by dated, we mean ancient and oddly evolved. "[I am Nuada Silverlance, crowned prince of Bethmoora.]" A brief pause follows as he slows to a stop, taking in his surroundings. The people gathered there, in what appears to be a museum idolizing the macabre, are of little help. In fact, very little help other than hesitant, too polite smiles and looks his way. A small, wry smirk turns the corners of his lips. "Entschuldigen Sie bitte...?" No?
"Je suis Nuada Lance d'Argent, fils unique du Roi Balor; prince royal de Bethmoora. Je vous en prie." He inclines his head in the faintest hint of a bow, watching these unorthodox, foreign-looking fae with barely there intrigue.
One of the Extras, visible in the very peripheral edge of the hologram (a blue-faced girl of reptilian features and colourful scales instead of hair), gathers a bit of cheerful posit-tu-itiveness, and dares tread closer.
"I'm sorry. No sprechen European. You speak Standard?"
The look on New Guy's face can be summed up with one word: perplexity. Long-suffering perplexity, no less.
"English," he says, chin lifting ever so slightly. Strange how such minute a movement would look so menacing. English, the
standard of language? "How very
pedestrian of you."
---
* Different indeed.